Syracuse Stage opens the 2021/2022 season for live performance with ‘Eureka Day’

Play embraces the complicated world of the present moment

Syracuse, NY – Syracuse Stage is back. With the opening of Jonathan Spector’s exceptionally timely play “Eureka Day,” Syracuse Stage marks a joyous return to live performance. The first of six shows in the 2021/2022 season, “Eureka Day” runs Oct. 13 – 31. Tickets on sale now at and at the Box Office, 315-443-3275.

Robert Hupp

“It’s invigorating to hear and see our theater come to life once again with the energy of amazing actors and imaginative designers,” said artistic director Robert Hupp, who is also directing “Eureka Day.” “Soon, the final part of our theatrical equation, the audience, will join us and we’ll be on our way. It’s not a return to normal, I think normal is in the rear-view mirror. It’s a commitment to the idea that the road ahead is much more interesting, and much more necessary, if we take the journey together.”

The choice to open the season with “Eureka Day” is to embrace the complicated world of the present moment. Though written pre-Covid, Spector’s play plunges headlong into the knotty issue of vaccines by using a mumps outbreak at a private school in Berkeley, California, to expose deep rifts in the school community concerning the issue of requiring vaccinations for the students.

With great humor and empathy for all sides, Spector explores the valiant and sometimes valiantly misguided efforts inherent in attempts to address and reconcile seemingly irreconcilable differences. The degree to which those attempts succeed or fail in turn raises questions about the viability of an institution—or a nation—to operate by consensus. In that regard, setting the play in a day school in Berkeley seemed most appropriate for the playwright because of its history and reputation as a place to that tries so “earnestly” to live its values.

“I think to varying degrees, many of the clichés about the Bay Area and Berkeley specifically, are true: very smart, very to the left, wanting to feel like it is always more to the left than anywhere else because of the legacy of Berkeley in the 60s as a place where so many progressive movements—the free speech movement, the disability rights movement—so many progressive movements got their start. So there is a feeling of always wanting to be at the forefront,” Spector said. “That makes it a particularly interesting place to examine these moments where different sets of values come into conflict and where you reach irreconcilable conflicts to values.”

It is up to five members of the Eureka Day School’s executive committee to confront the crisis set in motion by the mumps outbreak and to determine the best course forward for the school. Bearing the brunt of the discord is the school’s headmaster, Don, played by Jason O’Connell who returns to Stage after appearing in the online production of “Talley’s Folly” in fall 2020, as well as having portrayed Salieri in Stage’s last live performance, “Amadeus” in March 2020. Joining O’Connell in the cast are LeeAnne Hutchison, who has appeared in the Cold Read Festival of New Plays, and newcomers to Stage Laura Yumi Snell, Drew Hirshfield, Stephanie Weeks and local actor Tanisha Jackson.

Spector started writing “Eureka Day” in 2016. It had its premiere at the Aurora Theatre in Berkeley where it received all of the San Francisco Bay Area’s new play awards: Glickman Award, Bay Area Theater Critics Circle Award, Theater Bay Area Award and Rella Lossy Award. It was subsequently produced by Colt Coeur where it was a New York Times Critics’ Pick, an honorable mention in Time Out New York’s Best Plays of 2019 list and was nominated for a New York Drama Critics Circle Award.

“At its core, ‘Eureka Day’ is a funny and moving play about the conflict between personal choice and the greater good,” said Hupp. “‘Eureka Day’ is actually a richer experience today than when it first came to our attention two years ago. What was far-fetched craziness then is reality now; this play, and this production, give us permission to laugh at the absurdity of the world around us and to wrestle with our own feelings about who gets to decide the thorny question of what’s right for our community. The immediacy of theater makes this catharsis possible, and that’s why I am so excited to return to live performance with this prescient and spot-on funny play.”

“Eureka Day”

By Jonathan Spector
Directed by Robert Hupp
Scenic and costume design by Junghyun Georgia Lee
Lighting design by Dawn Chiang
Sound design by Jacqueline R Herter
Projection design by Lisa Renkel
Production Stage Manager: Stuart Plymesser*

Special Events

October 13     Pay-What-You-Will Performance @ 7:30 p.m.

There will be 76 tickets available for whatever price patrons wish to pay. Pay-what-you-will tickets must be claimed in person at the Box Office or by phone on the day of the performance, subject to availability. The Box Office opens at 10 a.m. and will remain open until the start of the show. There is a limit of four tickets per person.

October 17     Prologue at 1 p.m. (free for ticket holders at 2 p.m. performance)

A pre-show discussion with “Eureka Day” director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.

Actor Talkback (free for ticket holders at 7:30 p.m. performance)

A Q&A session with the actors following the 7:30 p.m. performance. The talkback will be held in the Archbold Theatre.

October 20     Virtual Wednesday @ 1

Enjoy a virtual lecture from Shana Gadarian, Professor and Department Chair in the Department of Political Sciences at the Maxwell School, Syracuse University, and co-author of the upcoming book “Pandemic Politics: How COVID 19 Revealed the Depths of American Polarization.” Gadarian, who has a PhD in politics, will give a lecture dealing with the themes explored throughout “Eureka Day.” The lecture is hosted by Resident Playwright Kyle Bass.

The Wednesday @ 1 lecture will premiere on October 20 at 1 p.m. online at, where it will remain available for viewing through October 31.

October 20     Open Captioning at 2 p.m. Performance for patrons who are deaf or hard of hearing.

October 23     Prologue at 1 p.m. (free for ticket holders)

A pre-show discussion with “Eureka Day” director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.

ASL Interpreted Performance at 2 p.m. for patrons who are deaf or hard of hearing.

October 28     Prologue at 6:30 p.m. (free for ticket holders)

A pre-show discussion with “Eureka Day” director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.

October 30     Audio Described Performance at 2 p.m. for patrons who are blind or visually impaired.

Open Captioning at 7:30 p.m. performance for patrons who are deaf or hard of hearing.

October 31     Open Captioning at 2 p.m. performance for patrons who are deaf or hard of hearing.